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the-south-asian.com September 2000 |
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Page 2 of 3 ART GALLERIES IN PAKISTAN Niilofur Farrukh
A new trend in Karachi takes art to the
diner-cafes. The Cafe Blue exhibits mostly experimental art. Besides
commercial spaces there are three permanent galleries in Karachi. The Fayzee
Rahamin Gallery is dedicated to this outstanding portraitist. Its new
building, on the plot donated to the city by Attiya and Fayzee Rahamin is
scheduled to open its doors soon to visitors. Gallerie Sadequain with its majestic ceiling by
the master painter dominates the first floor interior of this neo-gothic
building of the colonial era. Calligraphic paintings on Marble slabs by
Sadequain can also be viewed here. These two galleries have been gifted to the
metropolis by Karachi Municipal Corporation. Mr Grami, the guiding spirit
behind these projects has recently initiated an expansion of the Fayzee
Rahamin Gallery into a cultural complex to accommodate a theatre, gallery
,library and small auditorium. Lahore, home to the century old Mayo School of
Art now National College of Art, and the Punjab University's Fine Arts
Department, established more than half a century by the dynamic expressionist
Anna Molka Ahmed, has somehow failed to develop the modern gallery culture and
has slowly lost its reputation as the city of art patrons established by the
Mughals and Sikhs. The longest running commercial art gallery is the Lahore
Art Gallery run by Shehla Saigol. Located in few rooms in the wing of a large
house, it is at its active best around exhibitions because visitors have found
it semi-deserted without a professional staff to answer queries. Earlier
attempts to establish Nairung Gallery by architect Nayyer Ali Dada could not
sustain it due to lack of patronage. 'The sale of art did pick up in the 80's, but
from informal outlets such as furniture shops' informs architect Naeem
Pasha. Perhaps this had less to do with discerning collectors and more
with looking at art as an interior design accessory. In the last year or so a few commercial galleries are trying to cater to the new art market. ‘The Croweaters’ managed by Nayab, in an old commercial building that belongs to the family of the celebrated writer Bapsi Siddhwa. While some enjoy the ambience of the place they find its space cramped for the display of larger works. In recent months a few new galleries have come up, with Ejaz Gallery particularly active. National College of Arts a few years ago
decided to bring contemporary art to its campus by opening its own gallery.
Since its inauguration it has held several shows. The home of pioneer modernist Shakir Ali, has been turned into an art museum where his oeuvre and belongings are on display. This gallery also hosts shows of younger modernists. The Chughtai Museum has a spectacular collection of watercolours and etchings by the great master. The artist's son runs this private museum and a viewing can be arranged by appointment. Besides these showplaces the Al-Hamra, Lahore Arts Council, from time to time holds exhibitions of local and visiting artists. It is also the venue of the Annul Show of the Artists Association of Punjab. Recently a permanent art gallery was established in its environs.
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