the-south-asian.com                                               AUGUST 2002

 

Home

 

August  2002 Contents

 

 Youth

 Kanchan Jha - a mission at 15

 Lifestyle

 Staying healthy and youthful
 - what the doctors recommend

 
 Films

 'Devdas

 Health

 Music Therapy for the mind

 
 Heritage

 Kurukshetra - a city of eons

 Fashion

 India Fashion Week

 Around us

 Coffee-Break
 U.P's MLAs
 Hamid Karzai
 India's Atlantis
 What is a Blue Moon?
 Coffee - a memory booster?
 Hindu sentinels of mosque
 Mayawati's  45 portfolios

 
 Books

 'Knock at Every Alien Door'
 - Serialization of an
 unpublished novel by
 Joseph Harris - Chapter 7

 

 

the craft shop

the print gallery

Books

Silk Road on Wheels

The Road to Freedom

Enduring Spirit

Parsis-Zoroastrians of
India

The Moonlight Garden

Contemporary Art in Bangladesh

 

 

 

 

about us              back-issues           contact us         search                    data bank

 

                            craft shop

print gallery

 

'Devdas' - Sharat Chandra's Disclaimer!

by 

Sudeep Sen

aishwarya-devdas.jpg (91735 bytes) madhuri-devdas.jpg (75334 bytes)
L-R: Aishwarya Rai as 'Paro', and Madhuri as 'Chandramukhi' in 'Devdas'
(Photo courtesy: official website of Devdas)

 

I first saw the engaging posters of Devdas at Selfridge's celebration of Bollywood in June. Being a Sharat Chandra follower, I was looking forward eagerly to the remake of a film legend - though, by no means, Sharat Chandra's best piece of fiction. The sepia toned shots of Aishwarya Rai and Madhuri Dixit in period costumes of early 20th century feudal Bengal, set off the Early Warning System of the skeptic within me. However, I would wait for the film, I convinced myself. 

The film opened worldwide amid mega-hype and soaring expectations  - most of us had already read of the zillions that had gone into the construction of the film's sets. But even that bit of trivia did not prepare me for the stained glass nightmare projected in the first few minutes of the  film - the house that Devdas lived in. The opulence and the grandeur of the sets had a momentary dizzying effect, soon taken over by an even more lavish display of clothes and ornaments of the women in the two households. 

The film excels in the realm of unrealism - no expense or thought was spared to make it into a visual extravaganza to compensate for the lack of serious or seasoned acting by Shahrukh Khan. He was a poor choice as Devdas, his performance unconvincing as the sensitive and passionate lover.  Madhuri, as the earthy Chandramukhi, was the winner. Her warmth and love for Devdas was the only realistic bit in the film. Aishwarya, with her clinically perfect face, still looked every bit the Miss World that she is, and not the simple Bengali girl of Sharat Chandra's 'Devdas'. 

The world of Sharat Chandra's 'Devdas' was about the power and control that Bengali women held over their husbands and their family - a control that they haven't let go of. (Their need to control and  dominate could easily define them as control freaks ! - ask anybody married to one!) However, this theatrical and operatic version of 'Devdas' is not about social issues of early 20th century feudal Bengal - it is all about glitz and glamour. It is Sharat Chandra's Disclaimer.

___________________

 

 

Disclaimer

Copyright 2002 [the-south-asian.com]. Intellectual Property. All rights reserved.
Home