FEBRUARY  2002




FEBRUARY 2002 Contents


 Ageing - breaking mind barriers!

 'My Secret of Longevity' 
 BC Sanyal
 HD Shourie
 Khushwant Singh
 Raunaq Singh
 MS Oberoi

 Ageing & Performing Artists


 New Age Women Writers

 Performing Arts

 The Kuchipudi Reddy Family


 South Asians in News 2001 
 International Recognition and
 National Awards

Magsaysay Awards

Newsmakers & breakers in

Golf, Tennis, Hockey, Squash


 Know Your Leaders
 Arun Jaitley
 Amar Singh
 Abhishek Singhvi
 Omar Abdullah
 Sitaram Yechuri



 Mango - the King of Fruits


 Abdul Sattar Edhi


 Sunita Sharma - India's First  
 Lady Guru of Cricket


 'Knock at Every Alien Door'
 - Serialization of an
 unpublished novel by
 Joseph Harris - Chapter 2


 Vasundhara Das - the bride of
 'Monsoon Wedding' 

 Fashion & Jewellery

 Poonam Soni- new look to gold


 Editor's Note



the craft shop

the print gallery


Silk Road on Wheels

The Road to Freedom

Enduring Spirit

Parsis-Zoroastrians of

The Moonlight Garden

Contemporary Art in Bangladesh




about us              back-issues           contact us         search                    data bank

Special Sections 

the-south-asian data bank

Anniversary Issue

South Asian Woman


                   craft shop

print gallery

 Page  1  of  2




Surabhi Khosla

authors-3_shobha_de-f.jpg (45782 bytes) authors-1_mridula_garg-f.jpg (29559 bytes) authors-2_manju_kapur-f.jpg (38520 bytes)

Women have been unofficial story tellers to generations. But when it came to documenting literature, men historically dominated the role of authors. Today, it is  a different story. The opening up of Indian offices by foreign publishers like Penguin and Harper Collins, provided South Asian women writers opportunity and a platform. International recognition came fast. Starting with the Booker Prize to Arundhati Roy, the Onassis International Competition Prize to Manjula Padmanabhan for Harvest and the Pulitzer Prizer to Jhumpa Lahiri for Interpreter of Maladies, women writers' creativity has unleashed many a novel. Their writings go beyond 'hearth and home'. They are now expressing themselves freely and boldly on a variety of themes - without adopting feminist postures.


At first it was in ones and twos. Today, they have arrived in droves. Almost each month, readers are greeted with new names on the book stands and the writing within the covers is refreshingly original and true to life. And international recognition is coming fast and swift. Starting with the Booker Prize to Arundhati Roy, the Onassis International Competition Prize to Manjula Padmanabhan for Harvest and the Pulitzer Prizer to Jhumpa Lahiri for Interpreter of Maladies, women writers are making a major literary impact. Two decades ago it was Anita Desai, Bapsi Sidhwa, Shama Futehally and Amrita Pritam who were considered the big names among women writers from south Asia. The surge in the number of women writers came about with the establishment of their Indian offices by well known publishers like Penguin and Harper Collins. There are, today, over sixty women writers of repute in different Indian languages including English who are gaining literary respectability.  

What are they writing about

In a way , contemporary Indian writing owes a debt of substance to these women writers who have taken off from the literary launch pad and are soaring comfortably in the world of serious readers. Their settings are usually the everyday world of a middle class family, as many of these new women writers are themselves housewives and mothers. Shobha De, who writes six to eight hours a day on an average, says that the 'chaos of domesticity' provides the trigger for her writing process.

Award winning bilingual author Mridula Garg began writing after marriage. Though she says she enjoyed her children, she did not find her life fulfilling enough till she put pen to paper.

Explaining the sudden success of these ladies Dom Moraes once said in an interview, " their themes are really feminine, close to the home and hearth."

But times are changing. Though women writers have managed a spectacular absorption of these domestic situations to ignite their literary fire, their writings these days often go beyond 'hearth and home'.

authors-3_shobha_de-f.jpg (45782 bytes)

Shobha De - " .. writing about sexuality is still hurtful to men ...  it could mean women talking about their husbandsí shortcomings or writing about being bored with them sexually, mentally or spiritually."

Many modern-day women authors are now expressing themselves freely and boldly and on a variety of themes. Though there may still be cases of the occasional male envy, these new writers are not holding back in expressing the point of view from a feminine eye without adopting feminist postures. At a recent seminar Shobha De put it succinctly when she said, " the label of a `feminist writer' is one that marginalizes. I for one identify myself as a woman writer because of being read, judged and perceived differently by male readers on account of my gender."

In a way Shobha De personifies the dilemma that has dogged Indian woman writers. Traditionally if they stepped out of the boundaries drawn by men they were ignored, sidelined or silenced. They were merely the minority sub-culture in a male domain.

But authors like Manju Kapur, Jaishree Mishra, Jhumpa Lahiri, Mridula Garg, Arundhati Roy and more, are fast destroying  this traditional image. For them the age of women writers has finally arrived.

next page




Copyright © 2000 []. Intellectual Property. All rights reserved.